Okay, can we be honest? Rodgers and Hammerstein are DEAD, for god's sake! Their last show was FIFTY years ago (and it wasn't even that good)! Can we please move on...? After all, as director Peter Hall says, "What attracts audiences finally is new questions, not old answers."

New Line Theatre, "The Bad Boy of Musical Theatre," was created in 1991 to involve the people of the St. Louis region in the creation and exploration of provocative, alternative, politically and socially relevant works of musical theatre – daring, muscular, intelligent theatre about politics, race, violence, drugs, sexuality, religion, art, obscenity, the media, and other contemporary issues. And a lot of four-letter words. And every now and then, a little nudity. And lots of rock and roll.

And did we mention the four-letter words?

These are not your grandparents' musicals. New Line produces world premieres like Johnny Appleweed, She's Hideous, Love Kills, In the Blood, Attempting the Absurd, and The AmberKlavier; brilliant, lesser known Broadway and off Broadway shows like Bat Boy, High Fidelity, A New Brain, The Robber Bridegroom, Floyd Collins, and The Nervous Set; absurdist musicals like Reefer Madness, Urinetown, The Rocky Horror Show, The Cradle Will Rock, and Anyone Can Whistle; abstract musicals like Hair, Assassins, Jacques Brel, and Songs for a New World; concept musicals like Chicago, Sunday in the Park with George, and Cabaret; and radical reinterpretations of more mainstream works, like Man of La Mancha, Jesus Christ Superstar, Grease, Pippin, Sweeney Todd, and Into the Woods.

For more info about New Line, visit www.NewLineTheatre.com.